Sascha Hartmann, or Harti as he’s known on canvas, is a man of such diverse and eclectic talents that to list them all feels like a game of intellectual hide-and-seek. Artist, musician, composer, animator, director - and, who studied psychology and philosophy at the University of Zurich, Harti is one of those rare creatures whose life is lived in bold strokes, like his paintings. With German and Swiss Italian heritage entwined in his veins, he’s spent decades observing the world - not as a tourist, but as a relentless interrogator of it. From the philosophy of belief systems to the depths of consciousness and nothingness, he’s studied the fabric of our existence like a detective in an existential crime thriller.

It wasn’t until the age of 52 that Harti decided to share his art with the world - 2020, of all years, the perfect backdrop for someone who’d spent a lifetime preparing for the unveiling of a great truth. If it’s possible for an artist to emerge fully formed, Harti did just that, a self-taught renegade in the art world, yet brimming with the weight of a lifetime’s observations. Now, just four years later, his name has already become synonymous with an electrifying, almost visceral approach to contemporary art.

His canvasses are vast and unapologetically bold, splashed with the frenetic energy of Pop Art, yet tempered by the haunting chiaroscuro of Italian Tenebrism. If light is an old friend, darkness is his sparring partner - an uneasy truce of sorts that never quite settles. Harti’s works question everything, and in doing so, peel away the layers of false narratives we’ve carefully constructed to disguise our fears and insecurities. He sets out to confront the question of life’s meaning with the same unflinching gaze one might direct at an unanswered question, except Harti’s version has no time for the convenient answers that are always too easy, too neat. His canvases are a fierce interrogation of belief, God, society, and the human condition. His title choices are bold, often uncomfortable, and always provocative, demanding more from the viewer than mere visual consumption.

And then there is the art itself - layered and multi-dimensional. Harti’s works function like a kind of intellectual performance art, where the bold, brash elements of Pop Art are in constant dialogue with the weighty manipulation of Old Master techniques. It’s the past meeting the present, the sacred brushing shoulders with the profane. A bit of good versus evil here, a pinch of dark humour there - he never lets us forget that, beneath the surface of every cultural artifact, lurks the possibility of subversion.

Harti’s approach could be described as ‘21st-century commentary pop-art’ - an amalgamation of his upbringing, his career, and his ever-evolving understanding of the world. His hashtag, #BrainFoodInColour, could be the artist’s mission statement. He is, in every sense, an intellectual provocateur, a storyteller with a penchant for unsettling the status quo, a man whose life of study and reflection has led him to this singular, powerful body of work.

Already exhibited at the Saatchi Gallery, Venice, Seoul and Edinburgh, Harti's work unfolds across four distinct yet interconnected series, each representing a deeper excavation into the human condition. Series I marks the beginning of the journey: an introduction to Harti's visual language, where bold pop iconography collides with philosophical curiosity, inviting viewers to question the stories they have always accepted as truth. Series II ventures further into the architecture of belief itself, interrogating religion, identity, isolation, consciousness and the fragile myths upon which modern civilisation has been built. Series III expands the canvas into an ambitious cultural critique, reimagining history, politics, celebrity, morality and the absurd theatre of contemporary existence through monumental works that refuse passive observation. Finally, Series IV, Woman's Suffering, turns its gaze towards one of humanity's oldest and most uncomfortable narratives: the endurance, sacrifice and often unspoken suffering of women throughout history. It is perhaps Harti's most emotionally charged body of work to date—unflinching, compassionate and impossible to ignore.

Taken together, the four series form far more than a collection of paintings. They are chapters in a single philosophical conversation spanning belief, power, love, identity, suffering and what it ultimately means to be human. Every canvas is accompanied by Harti's signature #BrainFoodInColour commentary, encouraging viewers not simply to admire the artwork, but to wrestle with it. This is art that demands participation. Art that asks questions rather than offering answers. Art that lingers long after you've left the gallery.